Muted Color Grading And A Vintage Film Burn Using Fractal Noise

Muted Color Grading And A Vintage Film Burn Using Fractal Noise

on May 7th 2012 with 5 comments
Tutorial Details
  • Requirements: Just After Effects... enjoy
  • Difficulty: Beginner
  • Run Time: 5:21 min

Final Product What You'll Be Creating

Download Source Files

In today’s tutorial I’ll be showing how to take DSLR footage and give it the popular “Muted” color grade. After we cover the color grading, I’m gonna show you how to create a film burn effect from scratch using “Fractal Noise.”

Tutorial

Download Tutorial .mov

File size: 69.6 MB

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Bran is an Animator and Designer with a varied independent career in the Motion Graphic Design industry. His work seeks to create spare and graphic films which communicate using tactile and hand-crafted animation techniques. Since 2005, Grow Design Work has operated as a one-person studio focusing on producing effective work with quality and a personal touch.  

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  • Lyndon

    Nice quick tip!

  • SpencerT

    Sweet! Btw if you want to save that horizontal scale in the animation preset use the “transform” effect.

    - Spencer

  • Andre Filipe

    You could also give some tips about the footage you recored, like what profile picture was used or some settings (saturation , sharpness , etc)
    It should matter how you record the footage when you’re going to color grade it.

  • amrull182

    good job bro.. .
    but, i have question about filmburn.

    I’ve read in a forum that talks about video production
    right there in the clear that the effect of making the film burn by removing one component of the SLR camera …
    how do you think about it ..

    I have never actually tried it about that: D

  • Logan Zillmer

    When I copy this and paste it back into Premier Pro, it brings all three tracks with. Is there a way to make it one track, so I can simply replace it with the video track that is already in my edit? Also, when I paste it into premier pro, the effect doesn’t work. All I am seeing is the white filmburn layer, even though it works while watching it in AE. Thanks.