Network TV ID’s are usually a 5 or 10 second piece that pleasantly announces the channel’s logo. In this tutorial you will learn how to create this real-world, network ID-style scene for your logo or type treatment using After Effects, Trapcode Particular, and stock images.
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We’ve collected the top 5 tutorials and articles from each Tuts+ site in June, covering web development, Photoshop, vector art, audio production and music, After Effects, Flash and 3D. Now would be a good time to explore a part of the Tuts+ Network you’ve never seen before!
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Friday is roundup day here at Aetuts+ and this week we bring you some good ‘ol, but totally killer After Effects tutorials from around the web.
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This is part 2 of this very comprehensive tutorial where you will learn how to rig and animate a character using a combination of Illustrator, Photoshop and After Effects and create an incredible, cinematic odyssey piece.
Part 2 breaks down the compositing techniques used in all the shots.
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In this massive 2 part tutorial you will learn how to rig and animate a character using a combination of Illustrator, Photoshop and After Effects and create an incredible, cinematic odyssey piece.
Part 1 covers pre-production techniques, workflow overview and creating and rigging the character. It also covers creating the star field background and creating the eye close-up.
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In the United States it’s Independence Day this weekend which is a day spent celebrating. In that spirit we decided to celebrate design studios doing some of the most inspiring work at the moment.
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Using only built in plugins, learn how to create a radar screen which then reveals a logo. You will learn how to use 32-bit mode and few other tricks to simulate a real screen glow.
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In a very clever use of Trapcode Particular, this tutorial shows us how to create an effect that is inspired by the Bourne Ultimatum end credits sequence.
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We get tons of questions on how to output After Effects project renders, mainly which format and codec to use. Topher decided to do some research and wrote this long article that aims to try and answer some questions. It is worth noting that the After Effects built-in help has improved dramatically in recent versions and it is constantly updated online. We urge anyone reading this article to also read the AE help for additional reference.
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Starting with nothing more than a few still photographs, learn how to create this dynamic burning building VFX shot.
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