Quick Tips and Hints Inside of After Effects
basix

Quick Tips and Hints Inside of After Effects

    There are some things about After Effects that slip our minds every now and again. Little shortcuts that are able to shave off five seconds here, and a minute there, it can greatly incease your workflow and allow you to work smarter and faster. Some of these you might know, and you probably have some of your own to contribute, so let us know in the comments what your favorite tricks are in your workflow.


    • Tilde Key

      This is a great little trick for seeing a panel in full screen. All you have to do is tap the tilda key (the little spanish looking character above the tab key on the keyboard), and the panel that your mouse is hovering above will automatically become full screen. Tap again to return to normal. Using this is perfect if you have a couple hundred layers in a comp, or if you want to watch your RAM preview full screen.

    • Take Snapshot

      There are a lot of buttons on the bar below your Preview Panel, one of which is the Snapshot. This is super handy not just for taking a snapshot of your comp window, but every screen you have connected to your computer. You can use this as a screen capture tool, but only if you have After Effects open.

    • Render Region or Work Area

      A lot of people forget about the render region or work area in the timeline panel. You can set these by pressing B and N (beginning and end) for the area that you want to render within your comp. This is handy if you just want to render out sections of a comp for proofing purposes, instead of rendering out full comps (especially when the entire render could take hours.)

    • Hide Masks

      If you do a lot of roto, and have tons of masks getting in the way, you can press this sweet little button to hide them temporarily. It is located at the bottom of the Preview Panel between your timecode and Guides button.

    • Always Preview This View

      Right next to the viewing sizes dropdown menu, there is a button that when you press it down when in a multiple view situation, you will always preview a certain view, such as the Front view instead of the top, bottom, left, or right views. This can save some confusion when RAM previewing and its not doing anything if you have a top view selected that only shows where layers are.

    • Crop Comp to Region of Interest

      I use this all the time, especially after I precomp a couple elements and that precomp becomes the exact dimensions of the comp it is in, when in actuality, the elements only take up minimal space. It is handy for organizing and making layers reflect their actual size in relation to how much space they take up.

    • Paint Panel Duration Parameter

      A lot of times, people use the Eraser, Clone Stamp and Paint tools in After Effects thinking that they automatically paint on the entire clip. You actually have to set the Duration to Constant, and even then, it is only constant from the frame that you started writing on. Same goes for if it is constant, and you only want it on one frame. There are certain parameters that you need to set dependent upon your situation.

    • Auto Keyframe

      CS5 brought a nice goodie called Auto Keyframe. It does exactly that when pressed down… any parameter that you modify is automatically keyframed in, so you don’t have to worry about remembering to set them ever again. This can get to be kind of frustrating as well though too.

    • Audio > Stereo Mixer

      If you ever work with audio that only gets recorded into one channel, and nice little trick I use is to duplicate that track and then mess with the Left Pan and Right Pan sliders (depending upon which channel the original audio is in) until you can get the same audio cloned over to the opposite channel.

    • Browsing Blending Modes

      # Messing around with some Blending Modes for your layer? Just toggle up and down by using the command Shift – (minus) or Shift + (plus). Makes things a lot faster.
      #

    • Comp Search Bar

      If you are notorious for naming your layers, but happen to be working in massive comps with hundreds of layers, you can use the little search bar next to your timecode to search for that layer name, or file name inside the timeline. It has saved my eyes many a late night instead of having to squint through stacks of multi-colored layers.

    • Typing in Timecode

      Another quick way to jump around your timeline is to just key in your timecode. if you need 3 seconds in just click the timecode and type 300. If you need to go ahead 26 frames, just key in +26. If you need to jump to an exact time like 1:34:17 just type 013417… I think you get the idea.

    • If All Else Fails… PRECOMP

      A lot of really annoying things can be fixed just by precomping. If an effect isn’t working right, an Adjustment Layer isn’t affecting another layer correctly, layers look like they are stacking out of order, just precomp and most of the time it will fix the problem. It gets kind of annoying, but I have saved my save many headaches just by making that my default fix for some very minuscule issues.

    • Audio Unchecked in Output Module Settings

      I have rendered my comps without audio on countless occasions for the simple fact that I forget to check the Audio tab in my Output Module Settings. By default this is unchecked (no idea why this has never been changed), but make it part of your routine to check it, and double check it to make sure it is on. This little catch could save you hours.

    • Default Spatial Interpolation to Lineaar

      The curse of wobbly keyframes has gotten us one time or another. There are ways to fix it in the timeline panel, but I have found if you go into your preferences under the General tab, you can default your Spatial Interpolation to Linear, and pre-empt the attack of those wobbly keyframes!

    • Secret Preferences

      There is a (not-so) Secret tab of preferences that you can access by holding Shift and navigating to your preferences. Beware, some of these options in here can mess around really heavily with the way AE works.

    • Panel Options

      This is a not-so-secret, although usually overlooked aspect of your panels. In the corner on some of them, there are individual options for the type of panel it is. Explore these and you might find some interesting things that you didn’t realize you could set, customize, or utilize to make your life a little easier.

    If you enjoyed this post, please give it a vote on Digg or a stumble to say thanks! Also make sure to add your own ideas and tips in the comments below!


Topher Welsh is TopherWelsh on Videohive
Tags: Basix
  • Twinkle

    Hi there,

    it may be that it’s because I’m not a native-english speaker, but what exacly are wobbly-keyframes? :(

    It’s a nice compilation of very much which whom should already know, but in the most cases does not. I like it very much, thanks for that :) sadly, the Tilde-Function does not worl in every AE Version; as I’m on a german PC, by default it won’t do because the different keyboard layout; you can fix this when you write something in some text-documents, I just forgot by now (google for this, if you are interested).

    Also, the secret options don’t appear :( (I’m on a german Mac with english AE right now; don’t know what’s the problem).

    I’m just missing one little thing that many people don’t know is the “Continusely Rasterize”-Button within the time line (the little sun, right at the hide-symol). Very handy.

    Nice thing, would like to hear more from you.

    Best Regards

  • http://www.vimeo.com/11453892 Benny W

    Cool, there’s some handy tips in there. A couple of things I like to use often are:

    1. Holding CTRL and scrubbing the timeline to get manual feedback of audio and check timing.

    2. Lock the main preview window when updating settings in nested compositions for realtime feedback.

    3. And of course the handy shift key shortcut to jump between comps on the fly.

    Cheers

    Ben ;)

    • http://eugene2k8.com Eugene2k8

      Alot of people don’t realize how import/Useful your number two tip is. I use it all the time.

  • fatman

    nice article, thank you. but the fulscreen preview does not work on a german keyboard (key layout is different), so i guess there is an alternative?

  • Andrew

    I got a good that I never knew of,and it has changed my life.

    Holding Shift select either the + or – key to scroll through blend modes.

  • http://eugene2k8.com Eugene2k8

    Some of the one that I use often are:

    1. You can use the iDropper tool outside of the application, for example on a webpage or pdf.

    2. Holding down option while pressing P,R,T,A or S will add a keyframe automatically for your transform properties where the time cursor is at (That way you don’t have to press the stop watch every time to set keyframes) Although I’m not sure if this works on PC though

    3. Shift + ? – Fit to Screen in your Comp Window

    4. Holding down Option when dragging a layer in the comp window to enter wireframe mode (same as turning off live update temporarily) good for render intensive comps

    5. Shift + 0 = Render every other frame

    6. When working between different orthogonal & perspective views in 3D (Right, Left, Custom ect) just press esc to switch between your last view

    7. When creating a new Comp, in the composition setting window, under duration if you type, “3.” it equals 3 secs, and “3,” equals 30 secs, so “3,3.” would equal 3mins & 3sec timeline duration

    8. If your bringing in video footage assets & you want it to continuously loop in your composition, right click on the layer in the project panel, Interpret footage, Main, & at the bottom under loop, set the amount of times you want the footage to loop.

    9. If your working in 3D, & you drop a layer into your comp and you can’t find its location b/c its not being seen by the camera, instead of looking for it in 3D space, Right click the layer, Transform, Center in View

    10. On Laptops: fn + Left Arrow/Right Arrow – us this to jump to the begin of your comp and the end (Same as Home & End keys on a full keyboard)

    11. If a layer in & out points have been trimmed you can use the pan behind tool (Y) to scrub through the layer

    12. If you have a closed mask on a layer, you can use the pan behind tool (Y) to move the image inside the mask with out having to move the mask its self.

    13. Cmd + Option + V = Paste in Place

    14. When using Brushes in AE, Hold down Cmd while clicking and dragging to increase the brush size

    15. Cmd + Shift + H = Hide/Show your Mask/Layer Controls/Bounty box

    Theres more I could share but I’m interested in seeing what more other people have to share.

    Handel

    • http://visualfxtuts.com Topher Welsh
      Author

      Wow! thanks man! Those are some great tips!

    • http://eugene2k8.com Eugene2k8

      Its been confirmed, the iDropper tool trick doesn’t work on CS5 :(
      But I just tested it out & it still does work on CS4

    • Adam

      Really thanks mate, I know most of those tricks but all of them are VERY helpful.

  • http://www.spinmylogo.com Daniel K Johnson

    Adobe are you listening? Please make an option within the preferences to have the default render include the audio track. That would be awesome!

    • c

      make a template for the render options you prefer and set it to default.

  • http://aescripts.com Lloyd A

    Btw, technically it’s the Grave key (http://en.wikipedia.org/wiki/Grave_accent) not the Tilde key to make the panel go full screen. Tilde requires the shift key :-)

    • http://www.vimeo.com/everettoptions Adam Everett Miller

      …. details details…. :)

  • http://www.jordanlloyd.ca Jordan Lloyd

    1. Double-clicking inside the Project window will bring up the Import dialog.

    2. Use the ‘Pan Behind Tool (Y)’ to reposition the anchor point of files, without moving it’s position.

    3. Stretch keyframes out uniformly by selecting them and holding ALT while you drag them.

    4. Command-Click on properties to adjust things by .1 instead of by 1. Very useful for fine-tuning positions, rotations etc.

    5. Hold shift while choosing what layer properties you want to see, eg ‘T’ then ‘SHIFT+P’ will bring up Opacity and Position without untwirling the whole Transform options.

    6. Turning off ‘Live Update’ in the timeline can be your friend sometimes, especially when you are going through to make a bunch of changes on a render intensive comp. This prevents it from continually trying to render as you move through the timeline, and waits until you stop scrubbing to render.

    7. Use the number pad to skip to the layer you want according to it’s layer number in the timeline, ie 1 will jump to the top layer, typing 11 will jump to layer 11 etc.

    8. Alternatively, to jump up or down one layer at a time press Command+UP or DOWN

    9. The post mentions to make use of the Comp Search feature (which is handy!), but also don’t forget about the Project Search as well. I use this more often myself to track down files in large projects.

    10. Use the ‘Jump to Time’ shortcut to jump to specific times in your timeline. (Reset the shortcut to CMD+G which is what it originally was, but for some reason got changed to the annoying ‘ALT+SHIFT+J’ in a recent version).

    11. ALT+Left/Right Arrow will nudge keyframes 1 frame. Add a SHIFT in there to jump it 10 frames.

    Interested to hear from some others!

    - Jordan
    http://www.vimeo.com/11220769

    • http://www.vfxrider.com Chandan Kumar

      I came late, but …
      1) Pressing “J” and “K” will land your CTI (current time indicator) directly on the keyframes successively to and fro.

      2) While pressing “Ctrl” and dragging the value of the properties of any effect or option will slowly change the values and pressing “Shift” and dragging will change the values very fast.

      Thanks for sharing so many shortcuts already :)

      • Gustav

        Chandan you are great! you saved me …i was just killing my time while adjusting the keyframes manually.thanks a lot.

    • Danner

      #11 – page up or page down will also move 1 key frame back or forward. Shift plus page up or down moves it 10 key frames. So you can use just one button to move 1 frame instead of two buttons.

  • Billy

    Topher….what is up with visualfxtuts.com? You haven’t updated it since October 5th. You given up there, my man, or what?

    • http://visualfxtuts.com Topher Welsh
      Author

      Nah, haven’t given up, just got consumed with life… haha having two kids really takes it outta you.

      I am working on a new VLOG based format for the site, as well as more tuts roundups in article forms…

      just looking for an opportunity to roll it out where I am not swamped… haha

  • Antonio Cerri

    Ok guys, if you work with mask keyframes:
    F – Feather mask
    TT – Opacity mask
    SS – Overlay mask mode
    but, an very useful command is “cmd/ctrl + alt + F”
    resize to Fit any element with the size of the composition. ;)

    • Luke

      MM – for Mask expansion.

  • http://www.mypromovideos.com Anil

    Hi Guys,

    First of all thanks a lot for this thread.These are some valuable tips. I also would like to add few,

    Pressing the caps lock key while rendering,this will save you at least a few of your valuable rendering time.

    Use ctr + Shift + c to precomp the Layers.

    Use B to begin the work space and N to end the workspace.

    I always use alt + [ and alt + ] to trim the layers.

    you can preview in full screen by checking the full screen check box in the Time Control panel.

    Hope this will help. Looking FWD to learn more.

    Cheers

    Anil.

  • bah7911

    Thank you.

  • http://www.jamesmerry.co.uk James Merry

    LL to show only the audio waveform on a layer. Useful for syncing stuff up to sound!

  • http://www.greyalley.com desaturated

    neat!! thanks a lot guys for sharing :D

  • http://www.Hamidshs.com/ HamidSHS

    Nice article tnx 4 sharing …

  • biju

    Great Post……………….

    Thank u soooooo much